Tod Hensley, the exceptional manbroiderer and firm favourite of the Mr X Stitch team, is one of several artists featured in The Art of Fiber exhibition at the Workhouse Arts Center in Lorton, VA.

The Workhouse is pleased to present The Art of Fiber exhibition from November 23 – December 31. It is the Workhouse Arts Center’s 2011 holiday exhibition, displaying the beauty and creativity of the fiber arts. The Art of Fiber showcases pieces from around the country and around the world. Please join us at the opening reception on November 25 from 5-7pm, in conjunction with Black Friday.

The jurors for this exhibition are Candace Edgerley and Trudi C. Van Dyke. Edgerley is a studio fiber artist and adjunct faculty member at the Corcoran College of Art + Design in Washington, DC. She specializes in the traditional Japanese technique of Shibori, working with hand dyed silk and cotton. Candace is currently President of the Surface Design Association, an international textile arts organization.

Trudi C. Van Dyke is an independent curator and fine arts consultant who curates fine arts exhibitions nationally and internationally. She was formerly director of the Torpedo Factory Arts Center (Alexandria, VA) and the Ellipse Art Center (Arlington, VA). She travels around the country as a festival judge and conference speaker on the business of art and the adaptive reuse of facilities.

Date(s): 23rd November to 31st December 2011

Venue: Gallery Building 2nd Floor

Workhouse Arts Center 

A Project of the Lorton Arts Foundation

9601 Ox Road
Lorton, VA 22079
(703) 495-0001 tel
(703) 690-1880 fax

Hours of Operation

Closed Monday & Tuesday.
Classrooms are open during scheduled classtimes
Gallery W-16 and Artist Studio Buildings
Wednesday – Saturday 11:00am – 7:00pm
Sunday 12:00pm – 5:00pm

Hi Everybody! This week, my sweet husband and Manbroidery founder, Johnny Murder is celebrating his 40th birthday! YAY! I love you Papa! In honor of him and Manbroiderers the world over, I’ve decided to write about Joseph Beuys.

German artist Joseph Beuys (May 12th, 1921 – January 23, 1986)

From Joseph Beuys The Reader, “During his lifetime, he was simultaneously celebrated and lampooned by by fellow artists and by the international art community; since his death he has been lauded as heroic by some and condemned by others as a dark figure of German fascism and totalitarian impulses.”  From Wikipedia, “Joseph Beuys was a German performance artist, sculptor, installation artist, graphic artist, art theorist and pedagogue of art. His extensive work is grounded in concepts of humanism, social philosophy and anthroposophy; it culminates in his ‘extended definition of art’ and the idea of social sculpture as a gesamtkunstwerk, for which he claimed a creative, participatory role in shaping society and politics. His career was characterized by passionate, even acrimonious public debate, but he is now regarded as one of the most influential artists of the 20th century.”

Now I have a headache. Let’s try this again.

Once, Beuys traveled to the U.S, and when he arrived, he was picked up by an ambulance and taken to the René Block Gallery where he was wrapped in felt and carried in by a stretcher. Then he spent the next 3 days, 8 hours a day, locked in the room with a feral coyote.

Also, he planted 7000 oak trees around the city of Kassel, each tree was set next to a basalt stone. He took a piano and covered it in felt. He was shot down on the Crimean front, and rescued by Tartars who kept him alive by covering his body with fat and wrapping him with felt. One time, he covered his face with honey and gold leaf, and carried around a dead rabbit and tried to explain art to it.

Only one of these stories isn’t true.

Beuys was a pioneer, not only in his work but in his personal mythology. In a time when Germany was turning away from nationalism and pivoting towards focusing on the individual, Beuys made a shift from citizen and soldier, to what may best be described as the artist as a shaman. It is not only his use of felt and stitching that I think qualifies him as a Manbroiderer, but also what was essentially his mission statement. Taken from the Walker Art Center website- ”One of Joseph Beuys’ fundamental messages, delivered again and again in lectures, interviews, and artworks, was that human beings can and must learn to be creative in many different ways. His famous slogan “Everyone is an artist” was not meant to suggest that all people should or could be creators of traditional artworks. Rather, he meant that we should not see creativity as the special realm of artists, but that everyone should apply creative thinking in their own area of specialization–whether it be law, agriculture, physics, education, homemaking, or the fine arts.”

Beuys’ use of felt prominently reflects his origin story as well his fixation on warmth.

  Felt Suit, 1970

Excerpts from an interview with the artist by Jörg Schellmann and Bernd Klüser, 1970S,

K: “Why doesn’t the Felt Suit have buttons?

B: Well, that was dictated by the character of felt. That occurred quite naturally. It was tailored after my own suit and I think the whole thing has to retain the character of felt, in the sense that felt doesn’t strive to be smart, so to speak. One has to conserve the character, omit mere trifles, such as complicated buttons, button­holes and so on, and if somebody wants to wear the suit, he can fasten it with safety­pins.

S, K: Does the association with convicts’ uniforms on which the buttons and braces have been cut off as a sign of disgrace apply?

B: Of course I thought of that, but there’s no direct relation. It isn’t meant to be a suit which people wear. The suit is meant to be an object which one is precisely not supposed to wear. One can wear it, but in a relatively short time it’ll lose its shape because felt is not a material which holds a form. Felt isn’t woven. It’s pressed together usually from hare or rabbit hair. It’s precisely that, and it isn’t suited for button­holes and the like.

S, K: How should one take care of the Felt Suit?

B: I don’t care. You can nail the suit to the wall. You can also hang it on a hanger, ad libitum! But can also wear it or throw it into a chest.

S, K: Does the suit’s felt material play the role of insulating the physical warmth of a person?

B: The character of warming–yes, that’s obvious. The felt suit is not just a gag. It’s an extension of the felt sculptures I made during my performances. There, felt also appeared as an element of warmth or as an insulator. Felt was used in all the categories of warmth sculpture, usually in connection with fat: And it’s a derivative of that. So it does have a bearing on the character of warmth. Ultimately the concept of warmth goes even further. No even physical warmth, I could just as well have used an infra­red light in my performances. Actually I mean a completely different kind of warmth, namely spiritual warmth or the beginning of an evolution.”

       Homogeneous Infiltration for Piano 1966, and The Skin 1984

“The sound of the piano is trapped inside the felt skin. In a normal sense, a piano is an instrument used to produce sound. When not in use, it is silent, but still has sound potential. Here, no sound is possible, and the piano is condemned to silence. The relationship to the human condition is marked by the two red crosses, signifying emergency. The danger that threatens, if we stay silent and fail to make the next evolutionary step. Such an object is intended for a stimulus in discussion, and in no way is it intended to be taken as an aesthetic product. It is vital that humankind should slowly learn to speak, should come out of its dampness, and this applies above all, to the man in the street.” -Joseph Beuys

       The Pack, 1969

Description from The Tate Modern- “Beuys commented: ‘This is an emergency object: an invasion by the pack. In a state of emergency the Volkswagen bus is of limited usefulness, and more direct and primitive means must be taken to ensure survival.’ This strongly autobiographical work refers directly to Beuys’s plane crash over the Crimea during the Second World War. He often described being rescued by a band of Tartars who coated his body with fat and wrapped him in felt. Whether real or mythical, the story shows the symbolic importance of these materials in Beuys’s mind. It also suggests a fable of death and rebirth in which Beuys is purged, perhaps of his wartime guilt, and brought back to life by a nomadic people.”

As fiber artists, or crafters, or stitchers, or all three, I think it’s important to look back and really explore the artists who came before us. I think we often times forget that there is a tradition of fiber work in fine art, and studying that can open us up to wonder and revelations. It can help push us forward to break boundaries, and gives us a bigger space to grow.

I think Beuys puts it pretty well when he says, “Art alone makes life possible – this is how radically I should like to formulate it. I would say that without art man is inconceivable in physiological terms… …I would say man does not consist only of chemical processes, but also of metaphysical occurrences. The provocateur of the chemical processes is located outside the world. Man is only truly alive when he realizes he is a creative, artistic being… …Even the act of peeling a potato can be a work of art if it is a conscious act.”

  Homogeneous Infiltration for Cello, 1967

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Penny Nickels is a printmaker that started playing with needles with tremendous effect. She and her husband, Johnny Murder, have been described as the “Bonnie and Clyde of Contemporary Embroidery” and you can discover the power of her creativity at her blog.

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All reference material is cited in the above text. Click highlighted portions for more information.

]]> http://www.mrxstitch.com/2011/08/19/needle-exchange-joseph-beuys/feed/ 1 http://www.mrxstitch.com/2010/03/25/the-cutting-stitching-edge-james-hunting/ http://www.mrxstitch.com/2010/03/25/the-cutting-stitching-edge-james-hunting/#comments Thu, 25 Mar 2010 08:00:03 +0000 Mr X http://www.mrxstitch.com/?p=10662

James Hunting is an embroidery maestro from London, England.

A Textiles graduate of Goldsmiths College, James has been producing magnificent embroidery in the fields of fashion and art for over 20 years, and currently leads the Degree course in Fine Hand Embroidery at the Royal School of Needlework.

James describes his artwork: “Through mark- making, colour and texture each piece is representative of moments of time, either the past, present, or future. They encompass real or imaginary moments, emotions experienced, desires acknowledged, thoughts barely captured, dreams realised, yet to be realised or even destined to remain unrealised.

“Pieces should awaken half forgotten associations within the viewers’ memory. Certain stitches, colour combinations and images should unlock a more personal reflection on emotions and lives lived. The intention is that each viewer will move on having spent some time occupying a less concrete dimension of their daily life.

“I do not title the works, allowing the viewer to infuse each piece with their own interpretations, although I have my names for the pieces that I am happy to share if requested. The more abstract pieces, although presented in one way, may be hung according to the owners feeling, each viewer ‘sees’ the work in their own way, bringing their memories and ideas to their viewing.”

James is a bit of a legend, particularly on the UK stitching scene, and quite rightly so. His mastery of his art is evident throughout his body of work, and the quality of embroidery is second to none. It is great work.

Visit his website to see more of his work or, if you want to meet the man, book yourself a place on a Royal School of Needlework course – I’m sure he’d be happy to see you!

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The Cutting (& Stitching) Edge is brought to you in association with Embroidery As Art, the inspirational stitched art blog from the legendary Jenny Hart.

Tim Degner‘s a talented bloke. As well as all kinds of illustration and graphic design, he’s now branching out into stitchery.

The portrait above is “Me”, the one below is “You”.

I think they’re terrific, and I’m looking forward to seeing more from this marvellous manbroiderer.

Peter Yarwood’s getting up to stuff. I’m digging this tattoo embroidery very muchly.

See what else he’s stitching at his Flickr photostream. This particular piece is piquing my curiosity.

Over here in the UK, there’s currently two real Manbroiderers pushing forward the stitchy boundaries. And while I’m the Kingpin, Phil Davison of Urban Cross Stitch is definitely the Crown Prince. He’s such a dude and his Cocktails, Cupcakes and Cross Stitch parties are becoming the stuff of legend.

To celebrate the fact that he learned to cross stitch in the States, Phil is honouring Thanksgiving with a one day sale at Urban Cross Stitch.

Everything is on sale for rock bottom prices and you’d be a fool to miss out! So go get some!

Flying Haystacks is a manbroiderer from Brooklyn, who works in the Manhattan garment district and spends his spare time stitching detailed little pieces of wonder.

You have to check out his blog – there’s so much miniscule stitched marvellousness, and you can buy it from his etsy store as well. Fantastic!

Thanks to the wonderful Astulabee for the heads up!

Bren Ahearn is a manbroiderer from San Francisco.

A student of textiles from San Francisco State University, Bren has recently started sharing his works on Flickr, and they’re terrific.

From cross stitching on flip flops to embroidered cage fighting, Bren is not afraid to have a go at something new and different.

His sampler series politicises the traditional sampler styles, but with a good sense of humour as well. Snippets of his life are made available to us, and I, for one, would like to know more.

Bren’s cool – he’s only beginning to share his magic with us, but I am confident that his work will continue to impress and inspire. Check out his Flickr photostream to find out what he’ll produce next.

Danny Mansmith is a Chicago area artist who works in many mediums. He does some amazing things with embroidery.

See more from Danny at his flickr photostream, website, or his etsy store.

Andy1807 comes from out of the blue and delivers a multiple stitchgasm with these two pieces:

Dark and amusing, you can see more of his work on his Flickr photostream.