Today I’m recovering from the four day Spring Knitting & Stitching Show, where I hosted an Inspiration Station in partnership with Young Embroiderers.
I was blessed with a heap of fantastic volunteers, many of whom were students from the Royal School of Needlework, who took time out to help teach cross stitch to people of all ages (many thanks to Floss & Mischief, Sasha and Margaret for their personal efforts).
We had De Denne Competition entries on the walls, and the world’s longest embroidery drooping around all over the place, with people adding their marks to it.
All in all it was a fantastic experience. Saturday was great as I got to have two manbroidery superheroes joining me on the stand – Lord Libidan and Spike Dennis were, needless to say, very popular.
Thanks to Upper Street Events for having me on board, big love to Toft Alpaca, Silk Felt Collective, Jane Greenoff, Sue Stratford and the Braid Society for good company. I hope that everyone who came along enjoyed themselves and look forward to doing more of the same next year!
Dr. Susan Kay-Williams is Chief Executive of the Royal School of Needlework, so it’s safe to day that she knows a thing or two about textiles. Her new book, The Story of Colour in Textiles, is an examination of the historical development of colouring fabrics, from the earliest pre-historical references to modern synthetic methods. It’s a fascinating book.
We take dyed textiles for granted in the modern age, and for many of us we are passive consumers of coloured threads and fabrics; Susan’s book unlocks the processes of dying, but places them within a historical content that makes the subject all the more fascinating. Contained within the book are interesting facts that change the way you think about the tools you use. For example, in the Middle Ages there were more colours available to painters than there were to dyers, so the woven images were unable to accurately represent the colours of the time. The examples below feature Raphael’s Healing of the Lame Man in paint and tapestry and illustrate the point.
Exploring the methods of colour production and how these colours had to be adapted for successful application to the growing range of textiles, the book is a thorough guide to this manufacturing process and it generates a greater appreciate for the materials. But the book is also a story of power and wealth, and it’s fascinating to realise how the production of fabric and colour has played a part in global political history. The Spaniards, for example, kept the production process of cochineal so secret that it was only with the advent of microscopes that people realised the colour came from a beetle and not a berry!
If you want to learn more about fabric and colour, this book should be an essential part of your library. It’s a thoroughly researched piece of work, that will enlighten you about what it takes to make your personal embroideries filled with colour. You’ll never look at your threads in the same way again!
The Story of Colour in Textiles by Susan Kay-Williams is available from all good retailers. Why not get your copy from the Mr X Stitch Amazon Store?
The Royal School of Needlework are looking forward to meeting many of you for their special 140 Anniversary events this autumn!
Why not join them for their Continuous Thread exhibition (September 2012 — March 2013) or for their November Sale (9-10 November).
And you can read more about their 140 years of history in a special 24 page printed newsletter (buy it online here) which features 14 decades of the RSN’s important developments, Studio commissions and education programme and how they remain true to their founding principles of keeping the art of hand embroidery alive.
Note from Mr X Stitch: I’ve been lucky enough to see a copy of the RSN 140 year newsletter and it’s fascinating. Definitely worth buying for an insight into one of the world’s most important embroidery organisations!
Time for another look at some of the great work featured in the forums at Craftster. Note: Although they’re the pick of this week, they may have appeared before this week.
This week we’re featuring the blackwork of Vicelikeplague!
She put in a lot of time and effort for this, as part of a course in technical hand embroidery at the Royal School of Needlework. “I don’t like it,” she says, “but I think if I don’t see it for a while it will grow on me!”
See the original Craftster post here, and be sure to come back next week for another great pick from the forums!