Using a variety of threads in a needlework design is like using spices in cooking: all one flavor and texture can be rather bland, whereas a blend of different ingredients can make the final result fabulous.
I’ve often thought of quilting as a recipe, with multiple ingredients cut, mixed, combined, and blended together to make a whole. Like cooking or baking, the process and end use can be utilitarian, celebratory, decorative, or therapeutic, while the creative process is nourishing for the mind, hands, and soul.
Take a look at Eleanor Levie’s beautiful quilt, Pomegranates, to see how her recipe came together. On the whole, it is a lovely blend of colors and patterns. Take a look at the individual ingredients, and you will see threads, stitches, fabrics, and other embellishments that add “flavor” and visual interest. For the thread embellishments, she used Kreinik metallics: Very Fine #4 Braid, Medium #16 Braid, Heavy #32 Braid, 1/8″ Ribbon, Facets, and Fine Twist.
The famous chef Julia Child once said, “The only real stumbling block is fear of failure. In cooking you’ve got to have a what-the-hell attitude.” I think it is the same with needlework, quilting, crafts…anything creative. Take a cue from Eleanor and Julia: use good quality ingredients and time-tested techniques, add your own spin, a dash of what-the-hell, and your creation will be a masterpiece.
Ema Shin is a Japanese Textile artist recognising the women forgotten by history, and honouring herself and her ancestors through 3D sculpture. Read on for more!
Zsófia Szász brings a contemporary hand to traditional Hungarian textiles. Using unconventional materials, the artist immerses new generations in craft. Read on for more!