The Cutting (& Stitching) Edge – Michelle Kingdom

Michelle Kingdom - Precisely Red (2017) – Hand Embroidery

Contemporary embroidery art via Mr X Stitch

Michelle Kingdom is a Los Angeles based embroidery artist who we have featured on the site before, but her hand embroidered vignettes are so hauntingly good that they merit more attention.

Michelle Kingdom - Now We Have Chosen (2017) – Hand Embroidery
Now We Have Chosen (2017) 

Michelle has always been involved in art, but since 2010 she has been sharing her hand embroideries, whose muted tones and wistful stitches belie dark storylines and she’s quite rightly gained a huge following on social media.

Michelle Kingdom - Leaving No Relics (2017) – Hand Embroidery
Leaving No Relics (2017) 

Each of Michelle Kingdom’s embroidered vignettes is a glimpse into an alternate world, where human tension is expressed in dramatic ways. In her early works there was a focus on the individual, exploring the personal tension between expectation and reality through the use of the natural world as a protagonist.

Michelle Kingdom - Even Now ...Even Sleeping (2017) – Hand Embroidery
Even Now …Even Sleeping (2017) 

Her more recent pieces have a broader perspective, often reflecting the increasingly fuelled atmosphere in the global political realm. While Michelle does not directly reference “real world” events, her works are grand performances with complex characters and more overt aggression.

Michelle Kingdom - As Plain As Day (2017) - Hand Embroidery
As Plain As Day (2017)

At the same time, Michelle’s embroidery technique has become looser and more illustrative, with open space playing as important a role as the colour shading and texture. The use of linen for the background of her works anchors these pieces in a folkloric context, and in many ways they feel like snapshots of a dystopian world that is both familiar to ours and yet distinctly different.

See Also
Featured Image, Mandish Kalsi, Hand & Lock Prize for Embroidery, third-place winner, textile open category

Michelle Kingdom - Precisely Red (2017) – Hand Embroidery
Precisely Red (2017)

Faceless characters perform rituals and elegant horrors appear before us. Michelle’s work is as distressing as it is beautiful. Each vignette gives us food for thought and although the titles define the situation, we are allowed to form our own conclusions of the acts we are witnessing. It’s such great work – every new piece Michelle creates is visceral and poignant.

Michelle Kingdom - Preparing For Flight (2016) – Hand Embroidery
Preparing For Flight (2016) 

For an indepth exploration of Michelle Kingdom’s early work and her process, be sure to read Olisa Corcoran’s Inspired to Stitch interview, and visit Michelle’s website to stay tuned into her creativity. You won’t regret it.

Scroll To Top