Tugba Kop is an Illustration graduate from Kingston University.
Her work charmed me, and I contacted her to find out more:
“I’ve been interested in sewing for as long as I can remember! Both my parents were working in the textile industry, so I was surrounded by textiles from an early age. My mum would bring home black bin bags full of unwanted fabrics for me to play with. I later rediscovered my interest in sewing as a means of image making, as opposed to construction. I would say that I mainly learned through experimentation, trial and error. I was never that interested in the technical side of sewing though, it was always the more decorative and unconventional sides that really fascinated me.
“I place great importance on the drawing stage of my process. Without a quality drawing, the sewn versions would be doomed from the start! My drawing style is quite linear so it translates well with the sewing machine. I’ve always been interested in drawing and sewing seperately, so I think it was only a matter of time before I brought the two together. Stitching my drawings into fabric just felt like the natural transition to me.
“I draw inspiration from everywhere! Firstly, I love interesting looking people. In my foundation year, I grew obsessed with drawing beautiful people, but now I’m the complete opposite! I look for character in the people I draw – the stranger the better! Other than that, I’m inspired by everyday observations that go unnoticed, fabrics, colours, films, photography, fashion, blogs, other artists work-the list is endless!
“As well as image making, I also use my sewing machine to make leather accessories that I sell in my Etsy shop. There is so much I am interested in, that I try to incorporate my work into different mediums. I recently created an image especially for the front cover of a sketchbook I was making.
“I even rework my finished pieces. I turned my family portrait image into a cushion! By reworking it, it completely changed the meaning of the piece. I liked the idea of displaying a family portrait in a more homely way, while creating something practical for the home at the same time.
I really like Tugba’s work; the intelligent free machine embroidery captures the quirks of human behaviour and evokes nostalgia in a similar way to that of Gillian Bates and yet there’s a hint of darkness reminiscent of Emily Eibel. The use of different materials gives the work that extra edge, and I find the use of leather to be both novel and natural.
The Cutting & Stitching Edge is brought to you in association with PUSH: Stitchery, the must-have embroidered art book by Mr X Stitch !
Welcome to Manbroidery, a series of interviews with men who stitch. This time we interview Walter Bruno Brix who plays with textile illustration to explore history and identity.
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