
PUSH: Stitchery – The Best Textile Art Book!
It is my absolute pleasure to introduce you to PUSH Stitchery: 30 Artists Explore the Boundaries of Stitched Art. Curated by some wiseacre called Mr

It is my absolute pleasure to introduce you to PUSH Stitchery: 30 Artists Explore the Boundaries of Stitched Art. Curated by some wiseacre called Mr

Fibrostos and Fibristas, text and textiles are more part of our art than we realize. We weave a tale, spin a yarn, lose the thread,

Welcome to eMbroidery, a series of interviews with male embroiderers. This month, Mark Bieraugal aka FilmResearch. Name: Mark Bieraugel Location: Tacoma, Washington State, about 30

Today in Future Heirlooms we are interviewing British Artist Paddy Hartley. Paddy’s work is diverse in medium and technique as he allows the project to dictate the process. Read on for more!

Todays Future Heirlooms Interview is with Artist Magali Rizzo. Magali’s delicate stitch and drawing technique is nothing short of gorgeous. Read on for more!
Best of the Season however you celebrate, to all you Fibrostos and Fibristas from arlee and ARTeries! No scholarly dissertation for the last one of

Hello everybody! This week we’re going to look at the history of crewel! Yea! Exciting. Crewel is embroidery typically done with wool thread. Although wool
Fibristas and Fibristos, welcome to the wonderful world of rags with all their glorious frayed edges, dangling threads, snags, tears and patches. Ironically the definition
Muriel Decaillet is a visual artist from Geneva, Switzerland. She creates fantastic multimedia installations: “As a visual artist, I create installations that take into account the

Todays Future Heirlooms is an Interview with the incredible portrait artist Cayce Zavaglia. Cayce works with Hand Embroidery to create wonderfully unique pieces. Read on to find out more!

Kirsty Whitlock is a Leicester-based textile artist whose mixed media work deconstructs newspapers, carrier bags and discarded items to make political statements.

“The whole visible universe is but a storehouse of images and signs to which the imagination will give a relative place and value; it is